TARGET
Target is a 24x18 acrylic work that explores themes of focus and layered perception. A piece of raw canvas is affixed to the surface—its texture left untouched, its edges rough, a scrap of something else. Painted over the raw canvas is a loosely defined bullseye, blurred at the edges, blending into warm reds and earthy browns. This central motif draws the eye inward, yet resists being fully fixed or deciphered. It suggests memory, intention, or confrontation—perhaps a target, or perhaps the mark left behind after impact. Both minimal and emotionally charged, Target is a piece that asks the viewer to question what is seen versus what is felt versus what is read amongst the words faintly etched onto it.
Target is a 24x18 acrylic work that explores themes of focus and layered perception. A piece of raw canvas is affixed to the surface—its texture left untouched, its edges rough, a scrap of something else. Painted over the raw canvas is a loosely defined bullseye, blurred at the edges, blending into warm reds and earthy browns. This central motif draws the eye inward, yet resists being fully fixed or deciphered. It suggests memory, intention, or confrontation—perhaps a target, or perhaps the mark left behind after impact. Both minimal and emotionally charged, Target is a piece that asks the viewer to question what is seen versus what is felt versus what is read amongst the words faintly etched onto it.
Target is a 24x18 acrylic work that explores themes of focus and layered perception. A piece of raw canvas is affixed to the surface—its texture left untouched, its edges rough, a scrap of something else. Painted over the raw canvas is a loosely defined bullseye, blurred at the edges, blending into warm reds and earthy browns. This central motif draws the eye inward, yet resists being fully fixed or deciphered. It suggests memory, intention, or confrontation—perhaps a target, or perhaps the mark left behind after impact. Both minimal and emotionally charged, Target is a piece that asks the viewer to question what is seen versus what is felt versus what is read amongst the words faintly etched onto it.